Projects

A woman in a red sweater and black pants is sitting comfortably in a wooden armchair, laughing and holding a glass of wine. A man in a gray cardigan and trousers is standing close, smiling and holding a glass, engaging in a joyful moment in a cozy living room with a fireplace, bookshelves, and warm lighting.

DRAMATURGY

Who’s Afraid of Virginia Woolf

A bold reimagining of Albee’s 1962 smash hit play for the 21st century.

SLO REP’s Who’s Afraid of Virginia Woolf? doesn’t hold back. It packs a powerful punch into a few hours that are well worth your time and contemplation.
— Charlotte Alexander (SLO Review)

Illustration of a woman holding a framed portrait of William Shakespeare, with candles and a book on a pink table. text reads 'GENDER PLAY or what you Will'.

DRAMATURGY

Gender Play; or, What You Will

A bold exploration of Gender, Shakespeare and more at the intersection of modern performance.

Performed at:
The Den Theatre (2023)
About Face (2022)
Island Shakespeare Festival (2022)

Published:
The Methuen Drama Book of Trans Plays, vol. 2 (2025)


A group of performers dressed as characters from the movie 'The Rocky Horror Picture Show' standing on stage, with the character playing Frank speaking into a microphone and wearing pink gloves

DIRECTING

An interactive 4-D experience of the LGBTQ+ cult classic film in the heart of San Luis Obispo. My directorial debut on the Central Coast, I am proud to share the talents of our local queer artists with the broader community with the support of SLO Queerdos, SLO’s LGBTQ+ performing arts organization.

Rocky Horror Picture Show Shadow Cast

Neon sign with a pink triangle and the text "SLO Querdos" and "EST. 2016" in pink and white on a black background.

Performed at:
SLO Brew Rock (2021 -2025)
upcoming: Fremont Theatre (October 30, 2026


Four dancers perform on a dimly lit stage with a blue background. One dancer reaches out to another, while two others observe.

DRAMATURGY

No Pants in Tucson

Developmental and Production dramaturg for the Anthropologists comedic, rebellious performance exposing the outrageous laws seeking to restrict and control what women could wear in the 19th, 20th and even 21st centuries. Using rigorous historical citation and bold movement, No Pants in Tucson shines a light on the people and movements forgotten to history but shape how we move through the world today. This performance traces a direct linage from the anti-masquerade laws of the 19th century to anti-abortion and transphobic laws today.

No Pants in Tucson brings increasingly unrestrained humor and sparkle to its subject without in any way diminishing that subject’s history of widespread cruelties and individual courage—a potent, tremendously entertaining mixture.
— John R. Ziegler and Leah Richards (Thinking Theatre NYC)

Performed at:
A.R.T./New York Theatres (2023)
Hofstra University (2022)
Ice Factory (2022)


A man is kneeling on one knee, talking to a woman who is sitting on a colorful bench in a decorated indoor setting with tropical plants and patterned walls.

DRAMATURGY

Alexis Scheer’s fast-paced, cafecíto-induced comedy about art and success – and mothers and daughters.

Laughs in Spanish


Person wearing a cowboy hat, dark shirt, and scarf, head bowed, hand on the hat, in a dark setting.

DRAMATURGY

Mary, always late and always married, meets a lady cowboy outside the city limits of Pittsburgh who teaches her how to ride a horse. Sarah Ruhl’s stunning 2003 play is the story of one woman's education and her search to find true love outside the box.

Late: A Cowboy Song


Event poster for 'The Death of the Last Black Man in the Whole Entire World,' a Northwestern Wirtz Center program from February 12 to 14, 2021, featuring a black and white spiral design and purple headers.

DRAMATURGY

Death of the Last Black Man in the Whole Entire World

A woman tries to feed her husband a fried drumstick. Dragons roam a flat earth. The last Black man in the whole entire world dies again. And again. Careening through memory and language, Suzan-Lori Parks explores and explodes archetypes of Black America with piercing insight and raucous comedy. A riotous theatrical event, The Death of the Last Black Man in the Whole Entire World hums with the heartbeat of improvisational jazz.

VIEW MORE →


Royer Bockus, Tatiana Wechsler. Photo by Jenny Graham.

DRAMATURGY

Rodgers and Hammerstein’s Oklahoma!

Assistant dramaturg for Bill Rauch’s 2018 production of Rodgers and Hammerstein’s groundbreaking 1943 musical. The 75th-Anniversary production broke new ground with same-sex lead couples and other LGBTQ2+ casting in a delightful, insightful celebration of love in its many forms.

The Oregon Shakespeare Festival production of Rodgers and Hammerstein’s beloved musical “Oklahoma!” is a beautifully realized experience that dazzles from start to finish. 
— Bill Choy, Siskiyou Daily News

Let’s build something together

Icon of two hands shaking on a purple circular background.

I collaborate with artists and institutions to develop new work, strengthen stories and connect them to the communities they serve.